Authoring Secrets: Using Conversational Hypnosis Tactics When Writing Stories
How do these authors do it? J.R. Ward, Tolkein, Eddings, heck, even erotica writers, they all have one thing in common: the ability to transfer emotions and visualizations across the pages to the imaginations of the readers. There are some so superb in their techniques that they are called magicians of the written word. They earn millions, their books turned to movies, their every word quoted by fans all around the world.
One theory that has been going around the editing world is that the authors are using conversational hypnosis tactics when writing stories. That these authors are not merely talented, instead they are the great manipulators of the human mind to gain fame and fortune. But are they really doing this consciously, or are they just talented?
When writing successful articles, novels, scripts or plays, there are certain things that ought to be followed like using conversational hypnosis tactics when writing stories to immediately attract the audience: pacing and leading, pacing, distraction and utilization, stacking language patterns, linking words, bridging, hidden meanings embedded in a word or group of words, visual suggestions, transferring emotions, and last but not least, a great visual cover that can tell the whole story in one glance.
Confusing? Not if you are an author. One has to be able to integrate everything listed and more: be able to successfully write an interesting story that can captivate, not repulse. By building up the drama of the story, establishing the characters and all, you can already build up a curiosity in the reader. This curiosity is the key to everything. You can fail if you bore the reader into oblivion by being too flowery, too many words, like, sorry: talking about a bush while describing the bush and what the bush is but not successfully talking about the bush because you were not able to describe the bush properly and concretely.
If that confused you or caused your head to spin over the words, then I succeeded in what I was trying to do: fail in writing, totally. There are just some writers who may be great oral storytellers, but just cannot seem to put the words into written words. Using conversational hypnosis tactics when writing stories needs to have a talented writer or else it will fail. A great orator may give the best speeches, but I am willing to bet that they were not the ones who wrote them.
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